Showing 81 to 85 of 103 blog articles.
The hurdles of working in conservation films

As a wildlife filmmaker based in a country like India that is high on blue chip and large scale productions and popular voices doing voice overs, specializing in conservation filmmaking is harder than one can imagine.

India is home to Bollywood, an industry that producers over 300-350 Hindi language films each year, my conservation film on roadkills stands almost no chance of getting noticed.

This makes it a challenge to hit that mark with your target audience and get the publicity ball rolling.

How do I address this gap? Well, we make them feel emotionally attached to the animal. 

You make it relatable.

You could look at the Big 5 or similar megafauna or make the story feel relatable and humanized. Personified.

Add the drama. Add conflict. 

Add the sense of adventure and the idea of pursuing something.

Make them feel like their involvement in this story is worth their time :) 




  2 years ago
The Unsustainable Underbelly of Ski Resorts by George Kingston

George Kingston is an all-out outdoor person. He holds a B.A. in Political Science and an M.S. in Sustainability Science & Practices from Stanford University. His training has motivated him to advocate for greater sustainability and accessibility within outdoor activities. These days, George is working as an actor and screenwriter to depict our relationships with the natural world.

We never thought about this and here at Mojostreaming, we thank George for educating us! 

Please read:  https://www.stories.requipper.com/post/the-unsustainable-underbelly-of-ski-resorts?fbclid=IwAR2KDi-ES5pbgycFo0qgM05P1VEs_gPpC26ImMfiKGNtnQJ7wN-wUjDZxPA

We would like to hear from you. Do you have any other suggestions on what other changes can be made?

  2 years ago
A Tale of Two Species


Must love guns
And bullets and ballistics 
Projectiles exploding out of barrels
Travelling at an invisible speed
Streaking towards a target
Doesn’t see it coming
Although it’s only passing through
Not so bad if it’s inanimate 
Bullseye target, aim for the red spot
No real bull, of any kind
No buffalo, no elephant
But when an animal is the eye
The centre of the sights
Indeed the projectile will punch a hole
Tearing through the flesh
Smashing bone
Not compatible with life

Must love hunting
Pseudonym for killing
Taking a life warms the heart
A wife squeals in glee
As an elephant groans in pathos
Its life ebbs away, pathetically 
Could be another woman
And a newly dead giraffe
Still it’s mostly the usual suspects
Men with guns, misnamed hunters
What species is this, elsewhere explored
That takes such delight
In taking a majestic life
Whereas others would cry
At such waste of the wanton 

Must love inflicting pain 
Seeing an animal in the distance fall
Not so many clean shots
Not so many instant kills
Doesn’t kill the thrills though

Must love never showing empathy 
Definitely not feeling it
Or compassion or kinship with living things
No theory of mind
No kindness because it doesn’t kill

Must believe the lie
Of killing for conservation 
Taking a life for money, to preserve life
Mental contortions, gymnastics of belief
To accomodate oxymorons of the mind
For the normal mind not axiomatic
Just flagrantly obvious
This is a different species, newly classified
And its scientifically defiant name?
Homo Mortis 

We can only look forward to the day
Turn the guns on their own mentality
Target their own anachronistic thinking
‘Let’s go hunting lying tales instead’
A more worthy prey
Leave lions alone, and wolves
In fact any innocent animal in a sight

That’s it, more a tale about one species
Everything that they are
All their distinguishing traits
Are not like the other species
Missing from this story
(But soon to be added in #tectonictonic)
The rest of us

A.E. Lovell


  2 years ago
MojoStreaming Art exhibition - Charlotte Williams - starting Monday October 4th


Charlotte Williams is a

highly respected and increasingly celebrated British fine artist with a

particular interest in wildlife.  She is entirely self-taught and was

drawing her first animal portraits as young as nine years old.

 

Despite being afforded a scholarship to Farnham Art College

in her late teens, she headed instead for South Africa and the ‘bush’, where

she spent several years living and working on a game reserve in the Eastern

Transvaal. Immersed in the raw environment of the veldt, it was here

that Charlotte’s life-long passion for animals and the wild was born, and

where she passed many hundreds of hours wandering, observing and sketching all

that she saw.

On her return to the

UK in the mid-1990s, Charlotte continued to dedicate herself to art,

this time in Brighton. She went on to exhibit her work in numerous shows -

locally, and in London. She has since been in great demand and

the majority of her work today is by commission, both at home and

abroad.  

 

Charlotte’s consuming affection for wildlife

conservation has remained paramount, and her depiction of Cecil The Lion,

who lived primarily in the Hwange National Park in Zimbabwe, has become one of

her iconic portraits.   She later auctioned the portrait to

raise funds and awareness of the battle against poaching, and she today

continues to support myriad conservation enterprises and wildlife foundations

across the globe. 

 

Each of Charlotte’s meticulous artworks aims to capture the

soul and spirit of her subjects, from behind the eyes, so that you might know

them and feel them, as if they were living and breathing before you.  Her

appreciation of wild animals, coupled with her unapologetic perfectionism -

enable her to create paintings and drawings that are unique and wholly

authentic. 

 

Though now based in her studio in rural East Sussex since

2010 she has an ever growing global following on social media and has

recently been made a signature member of Artists For Conservation. She is

represented by numerous people, including the prestigious London and Sussex

based gallery Rountree Tryon and has exhibited at, amongst others, Masterpiece

Art and Gallery Different in London

.

  2 years ago
Mojostreaming is a proud sponsor of this year's 2021 WCFF!

Mojostreaming is a proud sponsor of this year's 2021 WCFF! 

Be sure to watch last year's WCFF finalist and Mojo's favorite Documentary:  Trailer: youtu.be

Wach the film here: 
  https://www.mojostreaming.com/video/635/roam4wild-the-documentary-film

Wildlife Conservation Film Festival (WCFF) is an international film festival based in New York and Los Angeles, that promotes and produces interactive events around independent films that promote sustainability and the conservation of biodiversity. The WCFF has global partnerships in Brazil, China, Kenya, and Scandinavia as of November 2019.

The Wildlife Conservation Film Festival was founded in 2010 by Christopher J. Gervais, FRGS at first as a 2-day event and has now grown to a 10-day festival.[1] It is a juried event with attendees and participants that include international wildlife conservationists, filmmakers, photographers, scientists, and people across the globe that work toward the preservation of global biodiversity. WCFF has a global educational outreach program with secondary and post-secondary institutions in North and South America, Asia, Africa, and Europe as of 2019.

2019 Award Winners

  • Ecosystem/Habitat: "Desert Wetlands-Pulse of the Outback" by Geoff Spanner
  • Education: "I Am Lion" - Tauana Films
  • Endangered Species: "Dammed to Extinction" Peterson Hawley Productions
  • Feature: "Lost Kings of Bioko" by Oliver Goetzl and Ivo Nörenberg[2]
  • Foreign: "Otters and the Exotic Pet Trade" - Four Corners Film Collective and World Animal Protection
  • Humans & Nature - "Humans and Nature" - produced by Ian Mauro and David Suzuki
  • Music & Nature - "The View South: Puma's in Patagonia" produced by Richard Szikler and Manuela Iglesias
  • Newcomer: "Queen of Taru" - Aishwarya Sridhar
  • Ocean’s: "The Secret Lives of Humpbacks" Andrew Stevenson, producer
  • Short: "African Drivrs-Lion Lights Story" Hector Salgado and Diana Soto, producers
  • Wildlife Conservation: "Red Ape: Saving the Orangutan" - Offspring Films Ltd and BBC Natural World
  • Wildlife Crime: "The Hidden Tiger" - Rescue Doc Films


Be sure to visit their website:  wcff.org

Board of Advisors: 

Jane Alexander

Casey Anderson

Gale Brewer

Holly Marie Combs

Fabien Cousteau

Dr. Sylvia Earle

Dr. Birute’ Mary Galdikas

Dr. Jane Goodall, DBE

Dr. David Guggenheim

Dr. Paula Kahumbu, OGW

Ron Magill

Ian Redmond, OBE

Dr. E.O. Wilson

Dr. Patricia C. Wright

David Hamlin


  2 years ago